Navigation handouts · Navigating Piracy ← back to the dashboard

Navigating Piracy — Printable Handouts

Navigation & GIS set. Print the whole packet, or just the page you need. Each handout starts on its own page.

Find Your Latitude — Paper Quadrant

Pairs with: "Find your latitude like a 1717 pilot" (Navigation & Projections tab). Goes in your Voyage Journal.

Name: ____________________Date: __________

Build it: cut out the quarter-circle. Tape a drinking straw along the top straight edge. Push a pin through the pivot dot and hang a string with a small weight from it.

0102030405060708090pivot (string hole)◀ tape the straw along this edge ►

Use it: sight the star (or sun's shadow) along the straw. The weighted string crosses the scale at an angle. That angle is the object’s height above the horizon.

My measured latitude: __________    Google Maps latitude: __________    Difference: __________

Sun Declination Table — Summer 2026

For the noon-sun latitude method. Values are approximate (good to within a fraction of a degree — fine for our purpose).

Date (week start)Sun’s declination (δ)
Mon Jul 6+22.7°
Mon Jul 13+21.6°
Mon Jul 20+20.4°
Mon Jul 27+19.0°
Mon Aug 3+17.4°
Thu Aug 6+16.8°

The formula:   Latitude = 90° − H + δ   where H = the sun’s height above the horizon at local noon, and δ = the declination above.

Check it: at Salem (42°N) on Jul 6, the noon sun should be about 90 − 42 + 22.7 = 70.7° high. Measure it and see how close you get.

Dead-Reckoning Plotting Sheet

Pairs with: "Dead reckoning — plot a course with no GPS." 1 knot = 1 nautical mile/hour.

Name: ____________________Date: __________

How: start at the dot you mark. For each leg, draw a line in the heading direction (use the compass rose), as long as speed × hours (use the scale). The end of the last leg is your dead-reckoned position.

= one square = 10 nautical milesNESW

Plot this voyage (Jamaica → the Carolinas):

LegHeadingSpeedTimeDistance (= speed × time)
1045° (NE)5 kn6 h________ nm
2030° (NNE)4 kn8 h________ nm
3010° (N by E)6 kn5 h________ nm

Now add error: a current pushed you 10 nm due west and you never knew. Mark where you thought you were (×) and where you really were (●). How far apart? __________ nm

Latitude & Longitude Plotting Grid

Pairs with: "Read & write coordinates." Plot each point, then label it.

Name: ____________________Date: __________

Plot and label these on the grid (remember: latitude first, then longitude):

80°W75°W70°W65°W60°W55°W45°N40°N35°N30°N25°N20°N15°N

GIS note: a computer writes these with N/E positive, S/W negative, longitude usually first in code: the wreck is (-69.96, 41.9) as (x, y). Same point, just numbers.

Voyage Journal Handouts

S1 — Launching the Voyage

Quick-write + a hand-drawn map of the routes you travel in an ordinary day.

Name: ____________________Session: ______Date: __________

Quick-write: “If you had to leave everything behind and start over at sea, what would your world have to look like?”

Map your ordinary day: draw the places you go and the routes between them (home, school, anywhere). Label 3 of them.

draw here

You’re done when: you’ve written a half-page and drawn a labeled day-map with at least 3 places.

S2 — What Is a Map?

Annotated comparison: modern Salem (Google Maps) vs. a 1700s New England map.

Name: ____________________Session: ______Date: __________

Tape or sketch a piece of each map, then annotate.

modern map
1700s map
What does EACH map show that the other doesn’t?
Whose point of view is each map made from?
What is left out — and who decided that?

You’re done when: you’ve named at least 2 things each map shows/hides and whose view it takes.

S3 — Reading the 1719 World Map

Analysis card on Herman Moll’s 1719 world map.

Name: ____________________Session: ______Date: __________
Who made this map, and when?
What does it show — and what does it leave out?
Whose point of view is it? (Whose empire? Whose routes?)
If this map is an ARGUMENT, what is it arguing?

You’re done when: all four boxes are filled and your ‘argument’ box names a specific claim.

S4 — Routes of My Life + Adopted Ship

Your Google My Map plan + the first log entry for the ship you’re tracking.

Name: ____________________Session: ______Date: __________

Routes of My Life (plan it here first): list 3–5 routes you’ll put on your map, and one sentence on why each matters.

Adopt-a-ship log #1: ship name, type, where it is today, where it’s heading.

You’re done when: you’ve planned 3–5 annotated routes and started a ship log with name + position.

S5 — The Atlantic World in 1715

Triangle-trade map + a MarineTraffic screenshot of the Atlantic today, side by side.

Name: ____________________Session: ______Date: __________

Draw the triangle. Label each leg with what (or who) was carried: Europe→Africa, Africa→Americas (the Middle Passage), Americas→Europe.

triangle-trade map
paste / sketch today’s MarineTraffic Atlantic
Same ocean, 300 years apart: what’s the same? What changed?

You’re done when: all three legs are labeled with their cargo and you’ve compared 1717 to today.

S6 — The Middle Passage

Silent-writing reflection. (Handle with care — this is heavy history.)

Name: ____________________Session: ______Date: __________

367 people were loaded aboard the Whydah’s slaving voyage. 312 survived to Jamaica.

Silent writing. No need to share. Respond to the reading and the numbers in your own words.

You’re done when: you’ve used the full silent-writing time and written honestly. There is no ‘right’ answer.

FT2 (Kayak Day) — Life on a Ship in 1717

Ship-types comparison chart. Pairs with the ~10-min pre-paddle brief (Why Piracy tab) on the Thu Jul 16 kayaking trip; finish or rank after the water.

Name: ____________________Session: ______Date: __________
Slave shipRoyal NavyMerchantFishing
Food
Pay
Discipline
Death rate
Freedom
Which ship would you LEAST want to be on — and why?

You’re done when: every cell has a note and you’ve picked a ship with a reason.

FT1 (Wed Jul 15) — Real Pirates + Salem Maritime

Combined log + perspective notes + a Friendship sketch. Sections swap sites over lunch.

Name: ____________________Session: ______Date: __________
One artifact for each Key Question (sketch or describe):
sketch the Friendship (Salem Maritime)
A person/perspective from today I might tell my final project from:
Something I saw that a book couldn’t have shown me:

You’re done when: you logged an artifact per question, sketched the Friendship, and named a possible perspective.

S9 — Who Chose Piracy?

Push/pull T-chart for one crew member you choose.

Name: ____________________Session: ______Date: __________

Crew member: ____________________

PUSH — away from other choicesPULL — toward piracy

You’re done when: you have at least 3 push and 3 pull factors, each backed by something from the evidence.

S10 — The Ship’s Articles

Rewrite the Articles for a modern classroom.

Name: ____________________Session: ______Date: __________

Roberts’ 1721 articles are our model. Write 5–7 ‘articles’ your class would actually vote to sign.

Would you sign these? What still worries you?

You’re done when: you’ve written 5–7 articles and answered the ‘would you sign’ question.

S14 — Where Ships Squeeze Through

Pirate voyage plan + a modern-chokepoint comparison. (Use the plotting sheet too.)

Name: ____________________Session: ______Date: __________

Plan a Jamaica→Carolinas voyage with 1717 tools — legs with heading, speed, time (plot on the Dead-Reckoning sheet).

Modern chokepoint you compared (Suez / Malacca / Red Sea / Panama):
Same ‘machine’ 300 years apart — what are the 3 things that make a piracy hotspot?

You’re done when: your voyage is plotted and you’ve named the 3 hotspot factors with a modern example.

Real vs. Made-Up — Source Analysis (optional)

Primary-source vs. pop-culture analysis card + a short modern-piracy note. Optional companion to S11 (the real-vs-made-up Bellamy stories) and S14 (modern piracy). The standalone S12 session was retired.

Name: ____________________Session: ______Date: __________
PRIMARY SOURCE says…POP CULTURE says…
3 differences / 3 similarities — which do you trust, and why?
Modern piracy today (Somalia / Gulf of Guinea / Red Sea) — one paragraph:

You’re done when: you’ve compared a real account to a clip and written a sourced modern-piracy paragraph.

S11 — The Wreck

Storm drawing + wreck-site map + a written land acknowledgment. (Use the lat/long grid.)

Name: ____________________Session: ______Date: __________

Draw the storm first — before any evidence is shown: 12:15 AM, April 26, 1717, a nor'easter, 146 people aboard.

draw the storm (before the evidence)

Then mark the wreck at 41.891°N, 69.957°W on the grid; add the coast and the four ships of the fleet.

wreck-site map
Land acknowledgment — this is Punonakanit Wampanoag territory. Write 2–3 sentences honoring whose land this is and whose voice is missing from the 1717 record:

You’re done when: the storm is drawn, the wreck is mapped at the right coordinates, and you’ve written a thoughtful land acknowledgment.

S13 — Lost and Found (Finding the Whydah)

Grid-archaeology dig-square exercise.

Name: ____________________Session: ______Date: __________

Give each square a coordinate (letter across, number down). Record what you ‘find’ in each, like a real dig.

ABCDE
1
2
3
4
5
Why does knowing WHERE each object was found matter to the story?

You’re done when: every find is logged by its grid coordinate and you’ve explained why location matters.

Artifact Analysis Card (FT1 museum · S17 Synthesis Studio)

Artifact analysis card on one Whydah object — use it at the Real Pirates museum (FT1) or when revisiting the Artifacts tab as your perspective (S17).

Name: ____________________Session: ______Date: __________
Object (coin, bell, John King’s shoe/bone, wax seal…):
What can this object TELL us?
What can it NOT tell us?
Whose voice does it carry — and whose is still missing?

You’re done when: all four parts are answered, including what the object can’t tell us.

S16 — Choosing Your Perspective

Perspective + format pitch + your final-project source plan.

Name: ____________________Session: ______Date: __________
I’m telling this story from the perspective of:
Because (1–2 sentences):
My format (from the 12 options):

Source plan — the 3–4 Journal entries I’ll build from:

You’re done when: you’ve named a perspective, a format, and at least 3 Journal entries to build from.

S17 — Synthesis Studio (Revisit as Your Perspective)

In-class synthesis (no museum trip): revisit the unit AS your chosen person, using the dashboard Artifacts tab + your own Journal. Plus your adopted-ship final note.

Name: ____________________Session: ______Date: __________

Revisit as your person: list 4 artifacts or moments from the unit that matter to your perspective, and why each one matters. Then answer KSQ4 in a short paragraph: across five weeks, whose stories did we hear — and whose stayed buried? If time allows, draft your project opening in your chosen voice.

Adopted-ship final note: where did your ship end up?

You’re done when: you’ve named 4 artifacts/moments with a why for each, written the KSQ4 paragraph, and logged your ship’s final position.

Final Project

Final Project — Single-Page Rubric

Works across all 12 formats. Not a grade — a check that your story is grounded and complete.

Name: ____________________Perspective: ____________Format: ____________
What we’re looking forWhat strong work looks likeSelf / teacher check
Perspective & voiceStory is clearly told from one chosen historical perspective; the voice stays consistent and feels grounded, not cartoonish.□ Got it
□ Almost
□ Not yet
Evidence from the JournalCites at least 3–4 Voyage Journal entries; specific facts, maps, or sources back up the story.□ Got it
□ Almost
□ Not yet
Historical accuracyDates, people, and places are right; myth is labeled as myth (not presented as fact).□ Got it
□ Almost
□ Not yet
Holding the hard partsDoesn’t glorify piracy or flatten it; holds complexity (e.g. escaping brutality AND stealing for a living).□ Got it
□ Almost
□ Not yet
Craft & formatUses the chosen format well; clear, organized, and finished; map/coordinates correct where used.□ Got it
□ Almost
□ Not yet
Showcase deliveryPresented clearly; can answer ‘why this perspective?’ and ‘where’s your evidence?’□ Got it
□ Almost
□ Not yet

Before the Showcase, I can: name my perspective, point to my 3–4 Journal sources, and say one thing I chose to leave out and why.

Source Analysis & Math

Read a Deposition Like a Historian

Source-analysis activity (pairs with the S11 survivor coda and the S17 Synthesis Studio). A deposition is sworn testimony. This one is real.

Name: ____________________Date: __________

The source: pirate Peter Cornelius Hoof, sworn testimony at the Boston trial, 1717–18 (The Trials of Eight Persons, p.319):

“The money taken in the Whido, which was reported to Amount to 20000 or 30000 Pounds, was counted over in the Cabin, and put up in bags, Fifty pounds to every Man’s share, there being 180 Men on Board… Their Money was kept in Chests between Decks without any guard, but none was to take any without the Quarter Master’s leave.”

Read it twice, then work the four moves real historians use:

1. SOURCING — Who is talking, when, and why? (Hint: Hoof is a pirate on trial for his life. How might that shape what he says?)
2. CLOSE READING — Underline every number. What exactly does he say about how the treasure was divided?
3. CORROBORATION — What other evidence on the dashboard backs up the “equal shares” idea? (Think: pirate articles of the era — Roberts’ 1721 Articles spell out exact shares and injury pay.)
4. SILENCE — What does this source NOT tell you? (Did every one of the 180 truly get the same? Who is left out?)

You’re done when: all four moves are answered, including at least one thing the source can’t tell you.

Divide the Prize — Pirate Shares Math

Shares-and-proportions (pairs with S10 The Ship’s Articles). Pirate articles really did set out shares and injury pay — this is that math.

Name: ____________________Date: __________

The situation. Your crew of 8 takes a prize worth £1,000. Your articles say:

Work it out:

  1. Money left after the injury payment: £________
  2. Total number of shares (add them up): ________
  3. Value of ONE share: £________
  4. Captain £____ · Quartermaster £____ · an ordinary sailor £____ · the injured sailor £____ (share + compensation)
Compare: in the Royal Navy a captain might take 50× a common sailor’s pay. Here the captain takes 1½×. What does that ratio tell you about a pirate ship?

You’re done when: your four payouts add back up to exactly £1,000.

Teacher Answer Keys

Answer Keys (teacher)

Print only this page for yourself. Don’t hand it to students.

Dead-Reckoning Plotting Sheet. Leg 1: 5×6 = 30 nm. Leg 2: 4×8 = 32 nm. Leg 3: 6×5 = 30 nm. The 10-nm westward current puts the “real” position 10 nm west of the dead-reckoned one — that gap is the error.

Latitude & Longitude Grid. A (wreck) plots off outer Cape Cod, lower-right; B (Boston) up and left of A; C (Provincetown) just north of A. All three cluster in the Gulf of Maine / off Cape Cod — a tight triangle of wreck, trial city, and Cape.

Find Your Latitude. Polaris’s height ≈ your latitude (Salem ≈ 42°). Noon-sun check (Jul 6, Salem): 90 − 42 + 22.7 = 70.7° expected sun height.

Read a Deposition. (1) Sourcing: Hoof is a defendant — he may stress the orderly “rules” to look less like a violent criminal. (2) Reading: £50 per share, 180 men, total reported £20,000–30,000. (3) Corroboration: era pirate articles (Roberts 1721, our taught analogue) set out equal shares and injury pay, and trial testimony confirms the Whydah crew had Articles — though the Articles themselves don’t survive, and the wreck’s wax seals are not evidence of the signing. (4) Silence: it doesn’t break shares down by rank or race, and the math (£50×180 = £9,000) doesn’t match the £20–30k total — a great “sources can be loose” moment.

Divide the Prize. Comp £100 off the top → £900 left. Shares = 1.5 + 1.5 + 6 = 9. One share = 900 / 9 = £100. Captain £150, Quartermaster £150, each ordinary sailor £100, injured sailor £100 + £100 = £200. Check: 150 + 150 + (100×5) + 200 = £1,000. The 1.5× vs. 50× ratio is the “flatter hierarchy” made numerical.